| Lecture: |
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| 1
Introduction to Props |
N192.1A
- If Hamlet wore sunglasses
N192.1B - Romeo and
Juliet
N192.1C - Authenticity
& Styles
N192.1D - Resetting
Macbeth
N192.1E - Scripts;
Texts; Improvisation
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| 2
Sense of Space |
N192.2A
- Stage Size; Procenium; Thrust
N192.2B - Guthrie;
Henry V St. Crispin Day Speech
N192.2C - Henry V St.
Crispin Day seech
N192.2D - Stage design
The Tempest
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| 3
Setting a Space and Time |
N192.3A
- Imagining settings for The Tempest
N192.3B - Choosing space
and time for The Tempest
N192.3C - Prospero's
cell; Macbeth
N192.3D - Setting Macbeth
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| 4
Costumes and Character |
N192.4A
- Costumes Midsummer Night's Dream
N192.4B - Character Midsummer
Night's Dream
N192.4C - Character,
costumes Romeo and Juliet
N192.4D - Romeo and Juliet
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| 5
Imaginary Shopping |
N192.5A
- Prince Hal, Falstaff, Henry IV
N192.5B - Costumes, Prince
Hal, Falstaff
N192.5C - A Midsummer
Night's Dream to 90210
N192.5D - Midsummer Night's
Dream costumes
N192.5E - Midsummer Night's
Dream setting |
| 6
Moving and Blocking |
N192.6A
- Macbeth, light and shadow
N192.6B - Macbeth, Lady
Macbeth
N192.6C - Bottom meets
the fairies
N192.6D - Macbeth, witches
N192.6E - Macbeth, fight
choreography |
| 7
Shakespeare's Old Language |
N192.7A
- Dialects, old fashioned language
N192.7B - Short history
of English
N192.7C - Henry V, the
OED
N192.7D - Double negatives,
double superlatives |
| 8
Blank Verse |
N192.8A
- Oaths, puns, verse, rhythm, blank verse
N192.8B - Blank verse,
rhythm
N192.8C - Usage and word
order changes
N192.8D - Titania's speech
to Oberon
N192.8E - Writing blank
verse |
| 9
The Operative Word |
N192.9A
- Choosing emphasis in a line
N192.9B - Perdita's flower
speech
N192.9C - Henry's speech
before Agincourt
N192.9D - Agincourt speech
continued
N192.9E - Falstaff's
speech on honor, Henry IV, pt |
| 10
Editing |
N192.10A
- King Lear
N192.10B - Songs in
Shakespeare
N192.10C - Role of editors
N192.10D - Student projects
N192.10E - Student projects
N192.10F - Folk tale
source for King Lear |